- 2026
Sun and Moon Rotate to This Infinite Present Moment,
The 99 Verbs and Wishes for You, My Dear,
and to Our Nomadic Life (Rite) -
2026a certain necessity, concrete and durational actions
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202599 Verbs and Wishes
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2024Silent Flight (Part II)
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2024it's factual, so vast
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2024you and me, we grant this portrait the marvelous
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2023Silent Flight
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2023Compound Rite
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2022Field Record 5: Sun, Moon, You
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2022Compound Rite: Utopia or Oblivion (II)
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2021Field Record 4: Every Motion is a Ritual ᠲᠠᠯᠠᠪᠠᠢ ᠵᠢᠨ ᠲᠡᠮᠳᠡᠭᠯᠡᠯ 4
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2021Drift Upwards, Fall Downwards
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2021Far Journey, Homeward
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2021Doppelgänger
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2020In Another Green World
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2020Can You See Me? Can You Say Something?
- 2019Field Record II
- 2019Field Record 3
- 2019Compound Rite: Utopia or Oblivion
- 2019bare mind create action create bare mind
- 2019Oracle---------Alt Text for the Future
- 2018Field Record I
- 2018In Another Green World, She Was a Visitor
- 2018bird, bird
- 2017Reaching Nowness
- 2016Cloud Image
- Early Works
2016 / 05:00 / choreography
I. Can You See Me?
2016 / 05:00 / choreography
2020 / durational / participatory performance / video installation
Can You See Me? is an online video installation that takes you through a choreography of the face through the simple act of mirroring. It will grow in length as the week progresses. Your own live video feed is superimposed on a pre-recorded video. Each day, the pre-recorded video will change as the choreography develops over the course of the week. Now that it is harder to understand each other do we pay closer attention?
Hello?
Are you there?
Can you see me?
Can you hear me?
Sitting in front of my laptop screen, I lose my sense of my own body. I have no sense of your body. And worst of all, I have no sense of you sensing me.
And so I begin to doubt my own existence.
I can see you. Yes. I can hear you. Sort of.
But I can’t feel you.
Yet…
Now that you have been reduced to a portrait of yourself on screen, I find myself looking at your face with unrestrained attentiveness. I stare without your awareness censoring my gaze. I look for invisible signs of something, I don’t know what.
Strangely, this feels more intimate than a physical embrace.
In our current state, we are like ground control technicians communicating with astronauts hurtling into space.
There’s the same delay.
There’s the same low resolution picture and sound.
The same glitches. The same dropped frames.
And the flat tone of technical talk even when the house is on fire: Houston we have a problem. You’re muted. You’ve frozen. You’ve gone dark. I’ve lost my connection.
There is something poignant about the heroic efforts required of all of us to be able to communicate through the brutality of data loss.
It takes so much more courage to transmit. And it takes even more generosity to receive.
Are you there?
Can you see me?
Can you hear me?
Sitting in front of my laptop screen, I lose my sense of my own body. I have no sense of your body. And worst of all, I have no sense of you sensing me.
And so I begin to doubt my own existence.
I can see you. Yes. I can hear you. Sort of.
But I can’t feel you.
Yet…
Now that you have been reduced to a portrait of yourself on screen, I find myself looking at your face with unrestrained attentiveness. I stare without your awareness censoring my gaze. I look for invisible signs of something, I don’t know what.
Strangely, this feels more intimate than a physical embrace.
In our current state, we are like ground control technicians communicating with astronauts hurtling into space.
There’s the same delay.
There’s the same low resolution picture and sound.
The same glitches. The same dropped frames.
And the flat tone of technical talk even when the house is on fire: Houston we have a problem. You’re muted. You’ve frozen. You’ve gone dark. I’ve lost my connection.
There is something poignant about the heroic efforts required of all of us to be able to communicate through the brutality of data loss.
It takes so much more courage to transmit. And it takes even more generosity to receive.
Click the links below to experience the installation:
Day 1: Hello
https://see.nuum.co/?day=1
Day 2: Yes
https://see.nuum.co/?day=2
Day 3: I’m not sure.
https://see.nuum.co/?day=3
Day 4: Lalala
https://see.nuum.co/?day=4
Day 5: The cup runneth over.
https://see.nuum.co/?day=5
II. Can You Say Something?
2020 / 07:59 / participatory performance / video installation / color / sound
Can You Say Something? is the second in a two-part series of meditations on communicating online. It magnifies the glitching, dropped frames, and delay that delete the subtle nuances of human expression and then asks the audience to come closer in order to understand. It was written in JavaScript with p5.js, PoseNet and WebSockets. There are 4 layers:
Layer 1: A performer.
Layer 2: A conductor uses sound input to manipulate the live performer video feed. Using PoseNet, we estimate key-points on the performer’s video feed: eyes, ears, nose, and shoulders. With these key-points, we crop the video around different parts of the body to varying degrees of zoom and at varying intervals of time, as a way to respond to the audience.
Layer 3: A voice invites the audience to join in a call-and-response exchange with the performers.
Layer 4: A microphone invites the viewer to respond.
It is first a performance. But inside of that performance we ask for audience participation-not to have some kind of impact on the performance. But as a way into it. The text is a conversation and a personal rumination. It’s deliberately unclear whether it is addressing the audience or the performer, whether the questions and the statements are directed at another or at the self.
The performance is designed to be live streamed with an expected 20 second delay between when a performer commits an act and when the audience sees it. We ask the audience to talk to us, to respond when we call, knowing that they will not see us receive their response for 20 seconds. And so, we ask them, will you wait 20 seconds for me to respond? 20 seconds is an eternity. It stretches the boundaries of our generosity.
Ultimately your response is to yourself. What will you do inside of that gap? Inside of that empty space between cause and effect? Will you leave me, wander off? Or will you struggle to stay with me, waiting, guessing, filling up the time with your own imaginings of how I will respond? When it’s harder to communicate, will you come closer or step away?
By NUUM Collective (NiNi Dongnier, Tiri Kananuruk, Nuntinee Tansrisakul, Mimi Yin and Yuguang (YG) Zhang)
Supported by La MaMa | CultureHub, Columbia University Barnard Movement Lab, and National Endowment for the Arts (NEA) Emerging Media Arts Grant.
08/01-08/31/2020 Not No Land for Questions, A4 Art Museum, Chengdu, curated by Jinfeng Shen, Sunny Sun
Fall/2020 Adoration (A Two-Part Series), Flat Journal, Issue 0.1: Halt, Los Angeles
Fall/2020 [soft]Magazine
2020 7th International Conference on Movement and Computing: MOCO, Mana Contemporary & Rutgers University Cognitive Science, New Jersey