- 2026
Sun and Moon Rotate to This Infinite Present Moment,
The 99 Verbs and Wishes for You, My Dear,
and to Our Nomadic Life (Rite) -
2026a certain necessity, concrete and durational actions
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202599 Verbs and Wishes
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2024Silent Flight (Part II)
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2024it's factual, so vast
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2024you and me, we grant this portrait the marvelous
- 2023Silent Flight
- 2023Compound Rite
- 2022Field Record 5: Sun, Moon, You
- 2022Compound Rite: Utopia or Oblivion (II)
- 2021Field Record 4: Every Motion is a Ritual ᠲᠠᠯᠠᠪᠠᠢ ᠵᠢᠨ ᠲᠡᠮᠳᠡᠭᠯᠡᠯ 4
- 2021Drift Upwards, Fall Downwards
- 2021Far Journey, Homeward
- 2021Doppelgänger
- 2020In Another Green World
- 2020Can You See Me? Can You Say Something?
- 2019Field Record II
- 2019Field Record 3
- 2019Compound Rite: Utopia or Oblivion
- 2019bare mind create action create bare mind
- 2019Oracle---------Alt Text for the Future
- 2018Field Record I
- 2018In Another Green World, She Was a Visitor
- 2018bird, bird
- 2017Reaching Nowness
- 2016Cloud Image
- Early Works
2020-24 / 07:30 / single-channel video / color / sound
On April 21, 2020, at 5:18 p.m., right after laundry, my room became the setting as I translated the actual state of my consciousness through a subtle hand dance, guided by pure emotion, the light, and Handel’s “Lascia ch’io pianga” (Let Me Weep). This improvisation—a dance of necessity and a translation of bodily movement into a distinct visual language—was rediscovered in 2024.
Conceived, performed, and edited by: NiNi Dongnier
Music: Handel, Lascia ch’io pianga (Let Me Weep)
Photo: farfar studio, Lane Lang
Thanks to Yi Xin Tong.
02/13-03/30/2025 39 Footnotes, Accent Sister, New York City, curated by Qianfan Gu
09/13-10/4/2024 it’s factual, so vast, Columbia University, Barnard Movement Lab, New York City
TV Set, Accent Sister, New York City
Lascia ch'io pianga
when I am pausing I am actually living
mia cruda sorte,
mia cruda sorte
– an absolute moment
falls as gravity
– Qianfan Gu
Installation View, Columbia University, Barnard Movement Lab, New York City