- 2026
Sun and Moon Rotate to This Infinite Present Moment,
The 99 Verbs and Wishes for You, My Dear,
and to Our Nomadic Life (Rite) -
2026a certain necessity, concrete and durational actions
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202599 Verbs and Wishes
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2024Silent Flight (Part II)
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2024it's factual, so vast
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2024you and me, we grant this portrait the marvelous
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2023Silent Flight
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2023Compound Rite
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2022Field Record 5: Sun, Moon, You
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2022Compound Rite: Utopia or Oblivion (II)
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2021Field Record 4: Every Motion is a Ritual ᠲᠠᠯᠠᠪᠠᠢ ᠵᠢᠨ ᠲᠡᠮᠳᠡᠭᠯᠡᠯ 4
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2021Drift Upwards, Fall Downwards
- 2021Far Journey, Homeward
- 2021Doppelgänger
- 2020In Another Green World
- 2020Can You See Me? Can You Say Something?
- 2019Field Record II
- 2019Field Record 3
- 2019Compound Rite: Utopia or Oblivion
- 2019bare mind create action create bare mind
- 2019Oracle---------Alt Text for the Future
- 2018Field Record I
- 2018In Another Green World, She Was a Visitor
- 2018bird, bird
- 2017Reaching Nowness
- 2016Cloud Image
- Early Works
2016 / 05:00 / choreography
2021 / 45:00 / choreographic performance
In the process of choreography, a thread gradually evolves, and it also constitutes an internal structure:
I. Ground, low sky, and heaven and earth inverted. It is hard to distinguish whether it is plant, mineral, animas, or human; a blended life form rises from the soil, building structures above the earth. Lives thrive to survive and slowly expand their territory. By turning it upside down, shifting focus back to individual growth.
II. Generating abstract rules and order, then reifying them: folding, wrapping, pulling, forming right angles and circles, separating and running. A system embedded in the seemingly chaotic relationships.
III. A whole, inseparable movement—a continuous circular mural, where every step is an ascent, a ritual. Manifesting the feeling of body weight; confirming one's position in nature, in space, in the time frame of evolution, and quietly relocating it.
This is not a statement; it is a conversation between the dancer and reality. Our body is a contemporary medium, carrying the results of past biological evolution without skipping any steps. Hence, I visualized both the history of our bodies and the memory of the present. Ultimately, what we are dealing with is how four human bodies manipulate volume, weight, body details, and senses in one place over a period of time.
This is a dance, also a moving sculpture; the environment is a total sculpture, with every object dancing.
NiNi
09/18/2021
Concept: NiNi Dongnier in collaboration with Xin Liu
Choreography: NiNi Dongnier
Sculpture: Xin Liu
Vocal & Sound: Lane Shi Otay:onii
Performed by: Yuhan Fu, Peize He, Ge Guo, Jiayi Li
Costume: Xiangzhi Bing
Executive Producing: Jiani Wang
Photo: Aranya Art Center
Cinematography: Xiaoguang Liang
Supported by Aranya Art Center.
09/26/2021-02/12/2022 The Ground is Falling, Aranya Art Center, Beidaihe, curated by Iris Long